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Crystal & Dragon: A Cosmic Two Step by David Wade Destiny Books, US 978-0-89281-404-6  This week's Recommended Read goes into pattern sharing in depth! "Crystal and Dragon" by David Wade is fascinating. A great supplement to my The Hidden geometry of Life since I summarise pattern sharing in two chapters. Similarly he is an artist and sculptor living in the UK. On my list of kindred souls I would like to meet. David has also written about patterns for Wooden Books. Exploring the interplay of form and energy, David Wade takes the reader on a journey through the world of successive ages from Plato's conception of the ideal form and the ancient Chinese philosophy of change to the modern scientific view of structure and indeterminacy as embodied in the laws of physics. STEP 1 - First a Brusho water colour background was created, a chaotic cloud of potential, of many vibrant colours in the void. Then I had the urge to create circles in random locations. 3 'major' circles resulted, each a container and also a point, placed a-round a central copper circle. This middle copper circle is the focal Point of the painting. Creating accurate circles with clearing defined edges is tricky. Any slight deviation or indent immediately shows. Straight edges are much easier! All the circles were made using 3 layers of lustre, applied with circular strokes, then polished and sealed.  Step 1 STEP 2 and 3 - More circles of copper lustre were added, moving freely about the energetic domain. They all lie outside of the space delineated by the Trinity. Each of the 'major' circles in the Trinity were haloed by a geometric shape - red circle:green square (space), green circle:pink circle (time), rose pink circle:green octagon (Directions). These 'major' circles are bound by force fields (symbolised by the yellow lines) to create a sacred space. 3 is the number of creation, of Mind Body Soul, different states of Being (such as liquid, solid, gas). From the Centre of 3 a created Being emerges. The central copper circle, or sphere, has a crystal code within it that is the basis of the structure of the Being emerging out of the quantum field. In Step 3, gold lines and patterns where then added around each of the shapes. Recognising the sacred nature of the creative process through the use of geometry and colours from light.  Step 2  Step 3 QUANTUM BEING - So much like the emergence of a form of being out of the Void, constructed out of geometry and light, so too did the geometric grid in the painting Quantum Being emerge out of the canvas. Using it as a meditative tool for visualisation you can either focus of the centre and move outwards to see what form of being emerges, providing you with some insight for interpretation depending upon what is created. Or, you can choose your own body, or that of another object/animal/person/plant, and move inwards into their central code in the quantum field. At the end of your meditation move back to the point where you started. Reflect on the impressions you had as you move in and/or outwards, and also any insights you gained.  Alchemical artAlchemical Art is transformative, changing anyone who works with them. This can happen merely by looking at the artwork or being in its proximity. Each piece is contained within the sacred space of its boundaries and is a fusion of the dynamics of geometric forms, emotive colours and one or more of the Classical Elements. The latter may be symbolically represented in the image or made out of specific materials due to their symbolism or vibration. In this instance crystals were placed on four paintings of my alchemical art paintings to incorporate their qualities. The results were stunning to look at and to work with. It would have been interesting to add further Elements, such as bowls of water and burning essence for air and fire, and also to use sound to activate them. Each of the alchemical art crystal grids were made by some participants of a crystal group run by Karin Bain. Karin has written an e-book called Networking With Crystals that will soon be available in paper form as well. Crystal GridsCrystal grids take many forms, they can be simple, intricate or complete. Invariably there is sacred geometry in their layout and so they are actually a yantra, or "thought form", the principle of all man-made sacred geometry artworks and structures. By adding the vibrations of specific crystals the crystal grid yantra becomes a pulsating vehicle for connecting your Mind to the underlying basis of reality. The effects are very personal. Yantras are covered in detail in The Gateway Series books and I also recommend the book Yantra by Madhu Khanna. Any sacred site using sacred geometry and specific earth materials brings additional vibrational qualities to their function and use. For example, Stonehenge and its bluestone rocks that were deliberately brought a great distance for their vibrational purposes. In the aerial image below notice how the central stone grid is enclosed within a larger Circle. It is part of a larger site that has several smaller yantra that all work together. This sacred structure is a huge crystal yantra that still has the capacity to draw thousands of people to it.  Aerial view of Stonehenge (Google Earth) |
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Gateway to the Heavens Do you realise you actually shape your destiny and shapes influence your destiny. If you want to understand how this works ask Karen to give a talk about it or read her excellent book. You may have hated even the mention of geometry at school, but Karen's simple and illustrated explanations will give you a real insight into this fascinating topic. |
The Hidden Geometry of Life The attentive audience was enthralled by Karen's introduction to the principals of this truly multi-dimensional topic ... The energy in the room, by the end of the evening, was well and truly charged! |