Sacred Geometry: Symbolism and Purpose in Religious Structures by Nigel Pennick
Recommended Read 'Sacred Geometry' by Nigel Campbell Pennick, currently published by Abe Books, is a classic starter to scared geometry. Indeed it was the first book I bought on sacred geometry! It is only a short book with some basic sacred geometry and light on examples. A nice quick read.
Nigel is a marine biologist, who writes about a variety of topics - over 50 books and papers on occultism, magic, natural magic, divination, subterranea, rural folk customs, traditional performance, Celtic art, runosophy, European arts and crafts, buildings, landscape, customs, games and spiritual traditions. But Nigel is most known for his knowledge of sacred geometry, geomancy, labyrinths, spiritual arts and crafts, esoteric alphabets and Germanic runic studies. He is also an artist, notably of Celtic artwork and creating labyrinths.
Celestial Geometry - Understanding the Meanings of Astronomical Sites by Ken Taylor
Watkins Publishing Ltd
Ken Taylor has an well founded reputation for thoroughly researched books on ancient traditions. With experience as an archaeologist he has written extensively on Palaeolithic alignments, celestial events, earth energies, astronomy and mythology. Ken Taylor has also worked as a freelance journalist, website editor and runs a small publishing business.
He has written 6 books and has co-authored a further 6 in partnership with his wife Joules. Titles include:
Early Heaven Oracle (Rider,2002 )
Tarot for Today (London House, 2000)
Werewolves (2009) and Ghosts ( 2010) for Spruce.
Pattern of Eternity by Malcolm Stewart
Recommended Read this week is Malcolm Stewart's (1939-) 'Patterns of Eternity - Sacred Geometry and the Starcut Diagram', published by Floris Books.
This is a classic sacred geometry text, well researched, insightful, covers a lot of ground, includes plenty of examples from many cultures. If you are serious about understanding the mathematics of sacred geometry then this needs to be in your library.
Stewart proposes that the Starcut Diagram has very interesting mathematical properties and that it could possibly be the source of the ancient number system used to build ancient sites.
Malcolm Stewart's varied career includes - priest, singer-songwriter, editor and book jacket designer, UN project co-ordinator, NGO relief-aid and refugee organiser, freelance artist and stained glass designer, lecturer and author.
Alchemical Art is transformative, changing anyone who works with them. This can happen merely by looking at the artwork or being in its proximity. Each piece is contained within the sacred space of its boundaries and is a fusion of the dynamics of geometric forms, emotive colours and one or more of the Classical Elements. The latter may be symbolically represented in the image or made out of specific materials due to their symbolism or vibration. In this instance crystals were placed on four paintings of my alchemical art paintings to incorporate their qualities. The results were stunning to look at and to work with. It would have been interesting to add further Elements, such as bowls of water and burning essence for air and fire, and also to use sound to activate them.
Each of the alchemical art crystal grids were made by some participants of a crystal group run by Karin Bain. Karin has written an e-book called Networking With Crystals that will soon be available in paper form as well.
Crystal grids take many forms, they can be simple, intricate or complete. Invariably there is sacred geometry in their layout and so they are actually a yantra, or "thought form", the principle of all man-made sacred geometry artworks and structures. By adding the vibrations of specific crystals the crystal grid yantra becomes a pulsating vehicle for connecting your Mind to the underlying basis of reality. The effects are very personal.
Yantras are covered in detail in The Gateway Series books and I also recommend the book Yantra by Madhu Khanna.
Any sacred site using sacred geometry and specific earth materials brings additional vibrational qualities to their function and use. For example, Stonehenge and its bluestone rocks that were deliberately brought a great distance for their vibrational purposes. In the aerial image below notice how the central stone grid is enclosed within a larger Circle. It is part of a larger site that has several smaller yantra that all work together. This sacred structure is a huge crystal yantra that still has the capacity to draw thousands of people to it.