Crop Circles: History, Research And Theories by Eva-Marie Brekkesto
Oxfordshire Artweeks celebrated its 40th year in 2022 and the turnout to all the art exhibitions in May was incredible! Thank you to everyone that came to The Spice of Life, behind the Spice Lounge restaurant in Summertown.
It was wonderful to be able to exhibit 'Porthole', 'Sun Light Codes' and 'Sacred Geometry Bots' from my Spring Collection - Circular exploring the sacred geometry of the circle and colour symbolism, as well as some older favourites.
Square, Circle, Triangle by Bruno Munari
Princeton Architectural Press
This week's Recommended Read is an excellent book called Square, Circle, Triangle by the acclaimed giant in 20th Century design, Bruno Munari (1907 - 1998). He was an artist, designer and inventor in several fields of the visual arts - painting, sculptor, graphic design, industrial design and film. He produced many children's books and toys. Also non-visual arts, with his fascinating research on games, didactic method, tactile learning, kinaesthetic learning and creativity. A hugely prolific talent.
Another fantastic supplement to my books as he provides plenty of extra examples of these three simple, fundamental shapes in different cultures and applications (games, design, architecture, sculpting...).
The simple book cover says it all!
At the bottom of this post are YouTube links to interviews with B Munari and other interesting material.
STEP 1 - First a Brusho water colour background was created, a chaotic cloud of potential, of many vibrant colours in the void. Then I had the urge to create circles in random locations.
3 'major' circles resulted, each a container and also a point, placed a-round a central copper circle. This middle copper circle is the focal Point of the painting.
Creating accurate circles with clearing defined edges is tricky. Any slight deviation or indent immediately shows. Straight edges are much easier! All the circles were made using 3 layers of lustre, applied with circular strokes, then polished and sealed.
STEP 2 and 3 - More circles of copper lustre were added, moving freely about the energetic domain. They all lie outside of the space delineated by the Trinity.
Each of the 'major' circles in the Trinity were haloed by a geometric shape - red circle:green square (space), green circle:pink circle (time), rose pink circle:green octagon (Directions). These 'major' circles are bound by force fields (symbolised by the yellow lines) to create a sacred space.
3 is the number of creation, of Mind Body Soul, different states of Being (such as liquid, solid, gas). From the Centre of 3 a created Being emerges.
The central copper circle, or sphere, has a crystal code within it that is the basis of the structure of the Being emerging out of the quantum field.
In Step 3, gold lines and patterns where then added around each of the shapes. Recognising the sacred nature of the creative process through the use of geometry and colours from light.
QUANTUM BEING - So much like the emergence of a form of being out of the Void, constructed out of geometry and light, so too did the geometric grid in the painting Quantum Being emerge out of the canvas.
Using it as a meditative tool for visualisation you can either focus of the centre and move outwards to see what form of being emerges, providing you with some insight for interpretation depending upon what is created. Or, you can choose your own body, or that of another object/animal/person/plant, and move inwards into their central code in the quantum field. At the end of your meditation move back to the point where you started. Reflect on the impressions you had as you move in and/or outwards, and also any insights you gained.
All encompassing circle
Rings, or Circles, bind everything within as one. It is the nature the circle to encompass, hold and support whatever is contained within it, like a bowl. All geometric shapes are constructed with their corners touching the Circle from which they originate and are maintained. Indeed, all forms of existence shaped by geometric principles are contained within the circular vessel of reality.
THE INTENT and nature of the Centre radiates out in all directions, as light does. So if it is negative, or "rotten at the core", this also spreads outwards. Much like the inner Circles around a source of dark power when corrupted will influence outer Circles to eventually affect the whole community revolving around this source. Light and love will permeate the Circle, so whenever you are central to a Circle radiate out positive, loving intent.
For more on the characteristics of Circles and other geometric shapes please refer to my books in The Gateway Series.
The Lord of the Rings
The famous Bodlaien libraries in Oxford, UK, are holding a major exhibition of JRR Tolkien's work from the 1st June 2018, including his illustrations, poems, letters and personal items. As a fan of The Hobbit and The Lord of the Rings books, which I have read several times, I am looking forward to gaining an insight into the creative process of this gifted author. The binding power of rings and the significance of the intent of the ring bearers, being destructive dark or healing, loving light, are central to the success these epic stories.
Alchemical Art is transformative, changing anyone who works with them. This can happen merely by looking at the artwork or being in its proximity. Each piece is contained within the sacred space of its boundaries and is a fusion of the dynamics of geometric forms, emotive colours and one or more of the Classical Elements. The latter may be symbolically represented in the image or made out of specific materials due to their symbolism or vibration. In this instance crystals were placed on four paintings of my alchemical art paintings to incorporate their qualities. The results were stunning to look at and to work with. It would have been interesting to add further Elements, such as bowls of water and burning essence for air and fire, and also to use sound to activate them.
Each of the alchemical art crystal grids were made by some participants of a crystal group run by Karin Bain. Karin has written an e-book called Networking With Crystals that will soon be available in paper form as well.
Crystal grids take many forms, they can be simple, intricate or complete. Invariably there is sacred geometry in their layout and so they are actually a yantra, or "thought form", the principle of all man-made sacred geometry artworks and structures. By adding the vibrations of specific crystals the crystal grid yantra becomes a pulsating vehicle for connecting your Mind to the underlying basis of reality. The effects are very personal.
Yantras are covered in detail in The Gateway Series books and I also recommend the book Yantra by Madhu Khanna.
Any sacred site using sacred geometry and specific earth materials brings additional vibrational qualities to their function and use. For example, Stonehenge and its bluestone rocks that were deliberately brought a great distance for their vibrational purposes. In the aerial image below notice how the central stone grid is enclosed within a larger Circle. It is part of a larger site that has several smaller yantra that all work together. This sacred structure is a huge crystal yantra that still has the capacity to draw thousands of people to it.
In celebration of the creativity of humanity here is a gallery of our PROLIFIC uses for the circle and sphere. From the invention of the wheel and construction of simple round buildings, using minimal materials and gaining maximum space, our uses for this most basic geometric construct are extensive. Simple and stunning, the sphere is the vessel of all geometric forms.
Some fun and fascinating examples of the circle and sphere occurring naturally in nature.