Paint Along With Karen
At Cornerstone Arts Centre (on 14th March 2020) I ran a Paint Along With the Artist workshop as part of International Women's Week.
Using acrylics has the main benefit of drying fairly quickly so we could add layers and do some acrylic flow with some success. The them was going to be zoning areas of square blocks but it became very apparent that I could not 'box' people into doing this. Instead I encouraged different shapes of colour areas. Acrylic flow then integrate or differentiated these zones, plus it added an element of chaos to the order. This certainly contributed to energising the artworks, which were very static.
'Expression' by Karen L French
Well done to the 7 artists for their stunning 'expressions' of themselves!
STEP 1 - First a Brusho water colour background was created, a chaotic cloud of potential, of many vibrant colours in the void. Then I had the urge to create circles in random locations.
3 'major' circles resulted, each a container and also a point, placed a-round a central copper circle. This middle copper circle is the focal Point of the painting.
Creating accurate circles with clearing defined edges is tricky. Any slight deviation or indent immediately shows. Straight edges are much easier! All the circles were made using 3 layers of lustre, applied with circular strokes, then polished and sealed.
STEP 2 and 3 - More circles of copper lustre were added, moving freely about the energetic domain. They all lie outside of the space delineated by the Trinity.
Each of the 'major' circles in the Trinity were haloed by a geometric shape - red circle:green square (space), green circle:pink circle (time), rose pink circle:green octagon (Directions). These 'major' circles are bound by force fields (symbolised by the yellow lines) to create a sacred space.
3 is the number of creation, of Mind Body Soul, different states of Being (such as liquid, solid, gas). From the Centre of 3 a created Being emerges.
The central copper circle, or sphere, has a crystal code within it that is the basis of the structure of the Being emerging out of the quantum field.
In Step 3, gold lines and patterns where then added around each of the shapes. Recognising the sacred nature of the creative process through the use of geometry and colours from light.
QUANTUM BEING - So much like the emergence of a form of being out of the Void, constructed out of geometry and light, so too did the geometric grid in the painting Quantum Being emerge out of the canvas.
Using it as a meditative tool for visualisation you can either focus of the centre and move outwards to see what form of being emerges, providing you with some insight for interpretation depending upon what is created. Or, you can choose your own body, or that of another object/animal/person/plant, and move inwards into their central code in the quantum field. At the end of your meditation move back to the point where you started. Reflect on the impressions you had as you move in and/or outwards, and also any insights you gained.
Up the Hill! was the result of 5 hours of non-stop painting and a 4pm dead-line. It was intense! Unfortunately I didn't manage to finish but was close enough. Having painted abstract and conceptual for a few years it was strange to be painting a structured building again.
I was on Tower Hill (red X on map) and positioned myself in shade for most of the day; many other artists boiled in the sun and there were a few of cases sunburn.
A pop-up exhibition followed and presentation of prizes by the Windsor Mayor. All the artists were treated to a delicious buffet and drinks. It was great fun and I look forward to next year!
The jewelled mandalas of Suzan Drummen
The gorgeous mandalas of artist Suzan Drummen are large installations that 'grow' across the floor, walls and over obstacles. Their 3-dimensional surfaces are like the tempting delights of a patisserie or jewellers! Mesmerising on the screen they must be wonderful to behold in reality. Like the works of Monir Shahroudy Farmanfarmaian they are made out of pieces of mirrors and glass, but also crystals, chromed metal, precious stones and optical glass.
"A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects. When viewed from a distance or from above, the work looks organized and neat, but with close contact, visitors enjoy seeing the many intricate details resulting from the skilled craftsmanship that goes into each art piece. in much of her work, drummen places each glossy element loosely on the floor, making the artwork vulnerable and ephemeral." Design Boon
I have discovered Pebeo mixed media, such as foil and all sorts of other goodies! As well as using these on some of my new pieces of art I am revisiting one or two my older paintings that I feel were not 'finished'.
An example of green foil is in this central detail from Communicate With Passion.
Pondering on thoughts before responding with a strong sense of personal identity, physically and spiritually. The figure is ageless, masculine, active and intense energetically. Looking directly at the viewer, unwaveringly. A stick, or staff, gives stability and strength as well as making a connection to the ground. A response to this piece can indicate that you either need to ‘lighten up’, or pause more to give more consideration to the consequences of your thoughts, words and actions.
With Due Consideration is my latest painting - acrylic on canvas. It is in a NEW gallery on my website called Figures. I have decided to do far more art incorporating the human form for a number of reasons. Firstly, the human form is interesting and challenging to draw and paint. It keeps your skills honed. Secondly, the human figure has so many attributes that are ideal for expressing the symbolism of sacred geometry, colours and spiritual messages.